So last year, 2019, was an OK year work wise. I was checking and not including the Arts Council funding I got for my memoir in January, I did two further applications to the DYCP strand, both rejected. Since then I’ve been reliably informed that there’s a 5% success rate for those. I also did a Project grant application at the end of the year which was rejected, so sent a rewritten version back in January, which…
has been SUCCESFULL!
I think this is the first time that I’ve actually done a rewritten application, given my personal success – 4 out of 7 successful applications since Grantium online system (2016). And the first one of those, Sectioned, was a part 2 of that project, as ACE funded the filming and making of the work, but also the screening at Fabrica gallery in Brighton that year.
I also did part one and part two of a previous project, The Dog & The Palace, where part one was a R&D, and part 2 was filming the rest of it at Lancaster House (before the days of Netflix where they now charge a lot more for room hire!) And that was around the Olympics, when, sigh, there was money. Previous to 2016 all but one of my ACE applications have been successful.
Anyways, I digress. This new project is for my play on feminism, and talking to different people about their experiences and views of feminism, and looking at why it’s such a hot topic, especially in light of trans and gender discussions as well. It’s really an attempt to capture those discussions, and hopefully in 100 years time people will look back on this time we’re in currently and scream ‘why couldn’t we all just get along!’. And I’m not even going to mention the woman representing Harvey Weinstein. WTF??? Do you think she goes home every night after work and just cries? I dunno.
Anyway, again. My new play will be doing two nights at Wandsworth
Fringe, which will mark the 5th year in a row I’ve put a play on at this
festival. It’s called My Job Sucks, and is set around the world of a
strip club. It’ll be on 22nd and 23rd May in the Arches in Putney.
Full details when tickets go on sale later this month.
Thanks to Jamie Wyld who’s supported me on a number of these applications through ACE access fund, and thanks to Arts Council England too.