Tag Archives: script reports

Last post from LA – better late than never!

So this is my last post from LA, LAX to be exact, and I’ll say it again, I’m seriously worried about lack of free wifi in this town. There is an airport lounge with ‘free wifi’, costs $10 an hour to use, I thought about it, but then spent my last dollars in McDonald’s, which is where I’m typing this from. (It’s ok, someone else has their laptop out, and its an airport, so I’m sure I’m safe)

So the final day at the expo was a much more settled pace, I still got nervous, but then that didn’t bother me. It’s amazing to me when I went to the pitching boot camp that nobody else had got there pitch down to the ’25 words’. This is something that John Truby, Blake Snyder & Elliot Grove talk about. But what it came down to was that was all I had to remember, and when they asked me for more story (which they all did on Sunday) I was able to tell them, without getting worked up, without forgetting anything about the STORY. This is the one thing that’s come out of the weekend, how important the STORY is. Especially in comedy, one of things Truby talks about is how you write the story first, and the gags come out of that. Most writers start with the gags, which doesn’t always create a great story.

It was great to hear John Truby talk again, reminding me of how much he knows and why he’s one of the best in the business. I’m going to get a report from the guy who works with him once I’ve looked over my current draft – cos of the exchange rate it actually works out a similar price to those script doctors over hear, but hopefully I’ll get new insight, and lets face it, although a good story is a good story anywhere in the World, he is Hollywood. And that’s one thing that I’ve learnt while I’ve been here.

I thought I was soooo right about my first couple of choices of companies to pitch too, but then when they gave their responses, I was surprised, and then when the bigger companies were interested that took me by surprise. It was a happy surprise too, one that got me really excited, and got me to think seriously about the choices that I have. I’ve directed short films, sure, but I’m not a ‘name director’, so I could hold out to be a writer / director. That’s one thing I’m not too worried about now, unless of course someone wants to fully support me on this, but I can write another script, with a good story, to do that with. So now, having pitched to the guys here in LA AND had some positive feedback, my options are wide open. And that’s the best thing for me right now.

So, what am I going to do when I get back? Get a script report from LA. Finish current application to the Arts Council, look up the Unlimited arts funding, and look at my life plan again. This is something I’ve done this year, along with doing ‘energy mapping’ out of it has come the sloooow realisation that all I want to do is write.

I want to make films that interest me, sure, that’s why I go down the arts route. Originally it was a means to an end, but once I got stuff for my showreel (Early One Summer, which was signed to Hollywood Independents distributors last year) and worked in collaboration with a digital artist to create artist film & video, now I can decide where I want to go – The big wide World is mine…